Shelley Jackson : femme-machine.

Shelley Jackson : femme-machine. L’imaginaire cyborg de Patchwork Girl (1995) et My Body & A Wunderkammer (1997). Plan de l’article 1. « You will have to feel your way in ». 2. « Cannot a phantom limb also have also a phantom person?” 3. « What happens to the cells I don’t visit ? »   « A cyborg exists when two kinds of boundaries are simulaneously problematic : 1) that between animals (or other organisms) and humans, and 2) that between self-controlled, self-governing machines (automatons) and organisms, especially humans (models of autonomy).